A spouse to historic Egyptian Art provides a entire number of unique essays exploring key recommendations, serious discourses, and theories that form the self-discipline of historical Egyptian art.
• beneficial properties contributions from best students of their respective fields of workmanship in relation to historical Egyptian art
• presents overviews of prior and current scholarship and indicates new avenues to stimulate debate and make allowance for severe readings of person paintings works
• Explores issues and subject matters comparable to methodological techniques, transmission of Egyptian artwork and its connections with different cultures, old reception, know-how and interpretation,
• presents a accomplished synthesis on a self-discipline that has various to the level that it now accommodates topics starting from gender thought to ‘X-ray fluorescence’ and ‘image-based interpretations systems’
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Additional info for A Companion to Ancient Egyptian Art (Blackwell Companions to the Ancient World)
He calls it Padapatana. N. Roy has given a number of examples of padapatana from literary works. He says: In the Dhurta-Vita-Samvada of Ishvaradutta, lying prostrate on the feet has been recommended as an up-to-date specific remedy, approved by lads, for appeasing a lady fallen in anger. When honour can be extended to the crab-like rough feet of a Brahmana proficient in the Vedas and besmeared with putrid curd and hence smell- 48 Woman in Indian Sculpture ing foul, what justification can be given for pride in abstaining from the feet, delicate like soft leaves, of a charming lady.
Mathura Museum, Mathura. 42 Woman in Indian Sculpture between Nayaka and Nayika or hero and heroine in love. In the Mahabharata there is a story of beautiful Vidarbha princess Damayanti who fell in love with King Nala. A Hansa bird acted as messenger of love. There are two beautiful verses in the Gatha Saptashati about the Nayika and her pet bird. Nayika says: Please shift this cage from my bedroom (ratigriha), the shameless Sarika tells everybody what we speak in privacy during our love-making.
He points out that in the Bhana play Padataditakam, foot of a damsel (vilasini), decorated with red-lac (alaktaka) and anklet has been compared to the staff of the Cupid and held worthy of worship while lying prone with face steadily placed on the ground. The ancient tradition continued. In the Gatha Saptashati there is a very beautiful verse related to padapatana theme. The poet says: When husband fell at the feet of his angry wife to appease her the young son playing nearby sat on the back of his prostrate father.
A Companion to Ancient Egyptian Art (Blackwell Companions to the Ancient World)