By Jean-Jacques Lecercle
Structure and Philosophy: New views at the paintings of Arakawa and Madeline Gins is a suite of essays at the paintings of architect Arakawa and poet Madeline Gins and specifically their e-book Architectural physique (2000). The essays procedure their innovative and impressive venture to layout 'an structure opposed to loss of life' from a number of angles and disciplines together with aesthetics, structure, linguistics, philosophy. The papers retrace where of Architectural physique within the aesthetic panorama of artwork on the flip of the twenty first century and examine the utopian stance in their paintings.
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Extra resources for Architecture and Philosophy: New Perspectives on the Work of Arakawa & Madeline Gins. (Architecture - Technology - Culture)
You can have metal panels radiating light, invisible, soft as the whisper of a cypress. Define your need—it can be taken care of. You don’t need to submit to industrial dictatorship. (”Inside the Endless House” 378) Wary of the dictatorial terms by which industry catered to purportedly natural “needs,” Kiesler was always bent on reversing the flow, emancipating the needs so as to instigate industrial commitments on a human rather than a strictly commercial scale. Here we find the fruit of Kiesler’s reckoning with the spaces induced by his Galaxies, which ceaselessly pour the ostensible contents of created works into the gaps, the interstices, the wallowing made possible in which space is a standing invitation to disclosure.
2nd ed. New York: W. W. Norton & Co, 1992. Architecture and Poetic Efficacy Architectural Poetics Alan Prohm This paper examines the notion “architectural poetics” as it applies to the work of Arakawa and Gins. It seeks a critical grounding for the term in the artists’ concept of a “built discourse” and in an understanding of spatial meaning as the semiotic field supplying that discourse. It explores the literary and poetic background of Arakawa and Gins’ Reversible Destiny project, tracing the different phases of their development as a path towards an amplified presentation and a heightened efficacy.
Architecture and Poetic Efficacy 57 and do so precisely in terms that substantiate the analogic parallel with a verbal poetics. They write: It is by relying on juxtaposed repeatable and re-combinable items that verbal discourse, with great sleight of mouth (or hand), encompasses and presents sequentially considered events. Modularly constructed areas and the architectural procedures they engender will be the juxtaposed repeatable and re-combinable items of a built discourse. (56-7) They put significant effort into substantiating this parallel, carefully arguing that their architecture is discourse, while they could simply have invoked the looser metaphor of an “architectural language” and moved on.
Architecture and Philosophy: New Perspectives on the Work of Arakawa & Madeline Gins. (Architecture - Technology - Culture) by Jean-Jacques Lecercle