By Edward Bleiberg
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Extra info for Arts And Humanities Through The Eras. Medieval Europe, 814-1450 C.E
His design illustrates the growing importance of architectural drawings. Arts and Humanities Through the Eras: Medieval Europe (814–1450) OVERVIEW of Architecture and Design THE IDEAL FACE OF THE SOCIETY. Change has been a constant of human societies as long as history has been recorded, and the six centuries of the Middle Ages were a period of dynamic transitions and developments in architecture. Europe in 1400 bore little resemblance artistically, economically, politically, or technologically to Europe in 800, although each succeeding generation and century built upon the achievements of its predecessors.
The interior of the church emphasizes elegant verticality through the use of tall, attached columns that divide the nave wall into a series of regular units or bays. Even more notable, the elevation now contains three levels: above the arcade, a spacious gallery is introduced with a window zone, called a clerestory, at the top of the wall just below the timber ceiling. Appearing in Ottonian church designs, but known in early Christian examples from Jerusalem to Trier, the gallery might have accommodated additional altars or been used by pilgrims.
Peter’s was also erected over the tomb of St. Boniface, missionary to the Germans, at Fulda in the early ninth century. Another impressive example can be found in the abbey of SaintRiquier at Centula in northern France, where the cruciform shape of the church combines with an insistent use of three in its plan to emphasize the Trinity. The importance of number in the church’s design is characteristic of medieval architecture. , on interpreted numbers symbolically. Numbers revealed the underlying harmonies of the universe and their incorporation into the designs and visual rhythms of medieval architecture intended to convey the beauty of divine creation.
Arts And Humanities Through The Eras. Medieval Europe, 814-1450 C.E by Edward Bleiberg