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By William Fleming

Arts & rules is a historical past of the humanities—art, structure, song, literature, and philosophy—from the traditional global to the current day. It highlights the foremost sorts of arts and letters as they crystallized in facilities of civilization at moments of excessive cultural success, corresponding to 5th-century B.C. Athens and Renaissance Florence.
The underlying suggestion of Arts & principles is the assumption that deeper human knowing should be obtained by way of learning the inventive revelations of artists, poets, philosophers, and composers, from our personal time and from the earlier. extra greatly, the humanities, while thought of of their traditional humanistic and cultural context, can show the landscape of ever-changing human pictures and attitudes, as humans and artists over the centuries show their conceptions of themselves, their social atmosphere, and their position within the common scheme of items. All take part the ceaseless quest to create importance for all times. the final word target is the knowledge of self and society via familiarity with evolving visible, verbal, and tonal imagery.

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Bottom: 29. Propylaea, cross section (after H. D'Espouy). The Hellenic Style 25 30. Ictinus and Callicrates. Parthenon, Athens. C. 36 m). Through the gateway of the Propylaea the procession entered the sacred area. Amid the revered monuments to the gods and heroes and looming above them was the colossal statue of Athena Promachus, said to have been fashioned by Phidias from the bronze shields of defeated Persian enemies. The tip of her spear is said to have gleamed brightly enough to guide homecoming sailors over the seas toward Athens.

Fluting serves several purposes, the first being to correct an optical illusion. When seen in bright sunlight, a series of ungrooved round columns appear flattened. In addition to maintaining the round appearance, the fluting makes a constant play of light and and creates a number of graceful curves shadow to please the The increased number of vertical lines quickens the visual rhythm, and the eye is led upward toward the sculpture of the entablature. Except for such details as the wooden roof beneath the marble tiles and the wooden doors with their frames, the entire Parthenon was built of Pentelic marble.

Gression between the round lower and rectangular upper members. Above the columns and below the roof is the entablature. Directly above the abacus is the archi- a series of plain rectangular blocks. These from the center of one column to that of its neighbor to constitute the lintels of the construction. They also support the upper parts of the entablature—frieze, cornices, and pediment. At this point, sculpture is called into play for decorative purposes, beginning with a carved band known as a frieze.

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Arts and Ideas by William Fleming

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