By Dean Koontz
Number 1 manhattan instances BESTSELLER • NAMED the best BOOKS OF THE 12 months via BOOKPAGE • The must-read mystery of the 12 months, for readers of darkish mental suspense and smooth classics of poser and adventure
The lady who stated no to death.
Bibi Blair is a fierce, humorous, dauntless younger woman—whose medical professional says she has 12 months to live.
She replies, “We’ll see.”
Her surprising restoration astonishes scientific science.
An enigmatic girl convinces Bibi that she escaped dying in order that she will store another individual. anyone named Ashley Bell.
But retailer her from what, from whom? And who's Ashley Bell? the place is she?
Bibi’s obsession with discovering Ashley sends her at the run from threats either mystical and worldly, together with a wealthy and charismatic cult chief with terrifying ambitions.
Here is an eloquent, riveting, brilliantly paced tale with an exciting heroine and a twisting, inventive plot jam-packed with superb surprises. Ashley Bell is a brand new milestone in literary suspense from the long-acclaimed master.
Praise for Ashley Bell
“A mind-bender choked with enjoyable surprises.”—People (book of the week)
“[With] lyrical writing and compelling characters . . . Koontz stands on my own, and this novel is a first-rate instance of literary suspense. . . . one in all his best.”—Associated Press
“Grabs you on web page one and retains you enthralled with ever widening loops of intrigue, spine-tingling plot twists, soaking up characters and emotional involvement . . . extraordinary.”—Bookreporter
“Heart-pounding and brain boggling . . . a rarity of a thriller—one that asks gigantic questions about existence and future whereas succeeding in growing [an] eerie feel of reality.”—Shelf Awareness
“Strap in and carry on. . . . whilst a author has controlled to seize this sort of lightning in a bottle, each reader may still event the whole jolt.”—BookPage
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Additional info for Ashley Bell: A Novel
As a consequence of these changes and of the professionalization of journalism, newspapers asked writers for fewer literary contributions and more reporting, copyediting, and interviews (Broca 288; Süssekind 75). João do Rio, and to a lesser extent Lima Barreto, adapted to these changes through an innovative use of the crônica and the folhetim in which they reported on the immediate present of their city in an insistently creative way. In the midst of these transformations of newspaper culture, Lima Barreto criticized the way that their desire for spectacle, sensation, and ornamentation drove carioca journalists toward inaccuracy and unethical practices.
Who is to judge what constitutes good CONQUERING THE DARK 29 taste? If the illuminated avenue connotes the city’s value, how is such worth determined? Ferreira da Rosa and Bilac’s florid language elides the power structures at work and the reformers’ authoritarian efforts to control the citizenry. To celebrate his mayoral achievements, Pereira Passos commissioned a guidebook about Rio de Janeiro. It narrates the story of the reforms as a glorious rupture from the dark aspects of the past. Ferreira da Rosa wrote the guidebook, which was published in 1905.
9 In so doing, he represents the “civilization” and “comfort” of post-bota-abaixo Brazil as characteristics that do not magically appear, but instead must be created by workers. The lamplighters and other gas company workers paradoxically use darkness to make themselves visible: “de repente, só ao cruzar os braços, [uma classe de oprimidos] punha em sombra uma cidade inteira” ‘suddenly, just by crossing its arms, [an oppressed class] made an entire city go dark’ (Cinematographo 194). ’ (193). While previously mentioned portrayals of Rio de Janeiro’s streetlights link light to civilization, João do Rio complicates the connection by drawing attention to the people marginalized by the “Rio civilizes itself” endeavor.
Ashley Bell: A Novel by Dean Koontz